Artist Residency Program

About

In an effort to provide support to emerging local artists, Southern California Ballet is inaugurating an artist residency program. The program provides studio space to dancers and choreographers wishing to develop new work and further their creativity whilst sharing their knowledge and experience with our students and community.

At the end of the residency, the artists will hold a performance or showcase of their work, to be followed by a Q&A.

Paid workshop or teaching opportunities may be available during the residency.

Southern California Ballet welcomes experimental projects, collaborations, and ideas.

During residency, successful applicants receive:

  • Free use of Southern California Ballet studio space at pre-agreed times of the day (times at the discretion of the SCB artistic team—academy always takes priority) for pre-agreed amount of time to develop choreographic work

  • Performance or presentation opportunity at end of residency

  • Regular feedback and mentorship from Southern California Ballet Artistic Directors, Martha Leebolt and Toby Batley

  • Promotion on Southern California Ballet social media and within our community

  • Opportunities to work with dancers of the SCB company level to share and refine the work being developed


Application requirements

Applications are currently accepted on an ongoing basis.

  • Requested schedule, including preferred start and end dates, days, and times

  • Resume/CV of primary applicant(s)

  • Letter of intent, including a description of the project and its goals

  • Please provide links to any relevant materials, including work samples, videos, photos, personal website, inspiration etc.

Post-residency requirements

  • Performance or presentation

  • Q&A

  • An artist statement describing the work, processes, and results of residency at Southern California Ballet, to be submitted within one month of the end of the residency


Artist Residency Applicaton


Past Residents

2018

Marlie Couto & Courtney Mazeika  (November 2018)