Background of Spring Shows

Learn about the history and production of Southern California Ballet’s three spring shows: Coppélia, Cinderella, and Alice in Wonderland.

SCB’s spring ballet repertoire consists of three full-length story ballets: Coppélia, Cinderella, and Alice in Wonderland

They are presented annually, in either March or April, at the Poway Center for the Performing Arts.

Coppélia

A comedy ballet in three acts

Coppélia is a traditional romantic style ballet choreographed to the music of Léo Delibes and based on the original choreography (1870) by Arthur Saint-Léon.

This ballet provides dancers and audiences a true ‘classical ballet’ experience, with a grand pas de deux, classical corp de ballet dances, extensive character dances, and traditional ballet mime.

Synopsis

Discussion with Artistic Directors

Why was Coppélia selected for Southern California Ballet’s spring ballet repertoire?

Coppélia is a ballet that Toby (Co-Artistic Director) performed as a pre-professional dancer. It has a fond place in his memory as a ballet that is entertaining for audiences, and appropriate yet challenging enough for dancers of SCB to perform well while gaining good experience. The comedy aspect—often, the most challenging thing to do on stage is make people laugh—along with the classical structure of the ballet is perfect to challenge the dancers and delight audiences. Coppélia is also a very accessible ballet for audiences who are new to dance because of its easy-to-follow story and clear narrative. 

Cinderella

A magical fairytale ballet in three acts

Cinderella follows the well known fairy tale of the same name. It has a more modern feeling than Coppélia, yet maintains a historical setting. The music by Prokofiev is some of the most beautiful ballet music ever written. 

Cinderella is a more modern, twentieth-century story ballet choreographed by Artistic Directors Martha and Toby. It features dramatic dance acting and classical steps, but remains outside of the traditional format of classical ballet.

Synopsis

Discussion with Artistic Directors

Were there any challenges in creating Cinderella?

One of the biggest challenges creating Cinderella was the magic scene, in which Cinderella’s dress magically transforms into a ball gown and her carriage is magically transfigured on stage.

Traditionally the dress change has been done with Cinderella leaving the stage and changing as quickly as possible—not very magical. So, we decided that we wanted Cinderella’s dress to magically transform in front of the audience’s eyes. This took some special dress engineering from our costume designer and creator Terry Worley (Tutu Terry) and input from Martha, who had created the role of Cinderella as a principal dancer in Northern Ballet where they, too, magically change dresses on stage. The result is a magical dress change that gets audience applause every time.

Why was Cinderella selected for Southern California Ballet’s spring ballet repertoire?

Cinderella is a story that almost everyone already knows, making it a great choice for a ballet. Choreographing a story like Cinderella allows us to create a ballet that enhances what the audience already knows about the story without worrying too much about the audience keeping up. The narrative of SCB’s Cinderella moves quickly and keeps the audience engaged from start to finish.

The second reason for choosing Cinderella is the beautiful music by Serge Prokofiev, one of the greatest ballet composers in history.

Alice in Wonderland

A fantastical ballet in two acts

This ballet’s story follows Alice through Wonderland and the array of characters she meets. The ballet is the most modern of the three spring shows, with special effects, outlandish costumes, and fantastical scenery.

Alice in Wonderland choreography uses classical technique with modern twists and style to tell the often strange story of Alice’s journey through Wonderland.

Synopsis

Discussion with Artistic Directors

Were there any challenges in creating Alice in Wonderland?

Alice in Wonderland presented many challenges, with the biggest hurdle being the size of the scenery and the production’s multiple technical aspects—projections, multiple large flying scenic pieces, and special effects. To that extent, Alice was by far the most technically challenging ballet we have created, so much so that we booked an extra day in the theater to allow us the time to make sure that it all worked. Even with this extra day, the show only came together shortly before the premiere performance.

Why was Alice in Wonderland selected for Southern California Ballet’s spring ballet repertoire?

Using the story of Alice in Wonderland for a brand new ballet allowed our imaginations to run free and create a ballet without the limitations of reality. It challenged us to think outside the box to create our very own wonderland. The result is fun, colorful and spectacular. Optical illusions make scenery grow and shrink, and the whimsical characters, many of whom are anthropomorphic, allow us to really get creative with designs.